Sunday, February 22, 2026

The Toxic Avenger: Still Avenging Vengence!

Alright, strap in. We’re diving headfirst into radioactive sludge and corporate malpractice, and I’m bringing floaties made of pure charisma.

Let’s talk about The Toxic Avenger—the 2023 mutation of The Toxic Avenger, now reborn under the slightly unhinged guidance of Macon Blair. Back in ’84, Lloyd Kaufman gave us a mop-wielding monstrosity who looked like he crawled out of a nuclear septic tank and immediately chose violence. It was cheap, it was gross, it was punk rock cinema shot through a slime filter. It also had all the subtlety of a brick through a windshield. And I loved it.

Friday, February 13, 2026

A TV Crushed His Head, But Not His Spirit: The Case for Stu Macher’s Return

For almost thirty years, Scream hasn’t just survived — it has adapted. What began in Scream as a razor-sharp genre autopsy evolved into franchise commentary, sequel satire, reboot critique, and eventually the modern “requel” blueprint. Every era of horror has been filtered through Ghostface’s mask. Now, with Scream 7 on the horizon, one question refuses to die:

What if Stu Macher never did?

The idea isn’t fringe anymore. It’s persistent. And more importantly — it makes sense.

Saturday, January 24, 2026

Masters of the Universe: The Rise and Fall of an ’80s Cinematic Experiment

Released in 1987 by Cannon Films, Masters of the Universe was a bold attempt to adapt Mattel’s wildly successful toy line and the accompanying animated series (He-Man and the Masters of the Universe) into a big-budget, live-action motion picture. Directed by Gary Goddard and starring Dolph Lundgren in the titular role, the film sought to capture the fantasy, heroism, and otherworldly allure that had enthralled children throughout the early to mid-1980s.

Friday, January 23, 2026

The Blob (1988): A Gooey Triumph of Practical Effects and Cult Nostalgi

Chuck Russell’s 1988 remake of The Blob may seem at first glance like a run-of-the-mill '80s horror rehash, but beneath its gelatinous surface lies a thrilling exploration of practical effects, small-town paranoia, and what happens when you underestimate a B-movie concept. Kevin Dillon’s mullet and Shawnee Smith’s cheerleader-turned-badass combo headline a film that’s equal parts campy fun and visceral terror. In a time when horror leaned heavily on slashers, The Blob dared to turn the enemy into an amorphous, unstoppable force of nature—and it’s deliciously horrifying.

Tuesday, January 13, 2026

Scream 7: How the Franchise Might Change Horror—Forever… Again

The year was nineteen hundred and ninety-six. Month: December. Day: 20th. I was fourteen years old, and I was about to witness a film that would change horror forever. But first—I had to ditch school.

“Gremlins 2: The New Batch” – A Satirical Laboratory of Genre Subversion

Released in 1990, Gremlins 2: The New Batch stands as a testament to director Joe Dante’s distinct blend of anarchic humor, self-referential satire, and affectionate nods to Hollywood’s past. Serving as a sequel to the 1984 hit Gremlins, this film significantly shifts the original’s tone, departing from its blend of horror and dark comedy to embrace a more overtly comedic and meta-textual approach. From its critique of corporate consumerism to its playful dissection of sequel tropes, Gremlins 2 has earned a cult following for daring to undermine the very conventions that spawned it.